More Piano Music

-audio gallery-

• Pollywog's Cakewalk

from the CD Pollywog’s Cakewalk

• From Purple to Lavender

from the CD Autumn Sequence

http://www.cdbaby.com/cd/paulfpage2

• Coming Up On 7

from the CD Pastiche

http://www.cdbaby.com/cd/paulfpage4

  1. •Out Of My Mind

from the CD A Corner of My World

  1. •http://www.cdbaby.com/cd/paulfpage3

•The Whole Truth

• Wake Me Gently

• Etudes d'Origine No. 15

from the CD Etudes d’Origine

http://www.cdbaby.com/cd/paulfpage5

• Happy Feet

from the CD Autumn Sequence

http://www.cdbaby.com/cd/paulfpage2

  1. •Pushing The Envelope

  2. •Ryan's Song

  3. •Le Jongular

  4. •Dance With Me

  5. •Before The Dawn

  6. •Nothing Certain

  7. •Then There Was You

  8. •A Prayer for Vincent

  9. •That Kind of Day

  10. •Moon Meadow Serenade

• Star Shower

from the CD  Like A Diamond In The Sky

• Music Box

from the CD Pastiche

http://www.cdbaby.com/cd/paulfpage4

  1. •Waiting

  2. •The Daisy

  3. •The Little Daisy

  4. •Trio

  5. •Companion

  6. •Out Of Control new May 2012

  7. •Little Bear (children’s piano / Aug. 2012)

  8. •A Waltz (new Nov. 2012)

  9. •Waltz Fantasy new Feb. 2013

  10. •Crystal May 2013

  11. •Tuesday May 2013

  12. •

  13. •Invitation To Dance (2001)

  14. •Arabesque 2003 (2003

  15. •Fantasy Lullaby (1969)

  16. •Christine's Little Waltz (1969)


  1. •Fantasy Suite (1966) *

  2. •    Fantasy Suite I (Andante)

  3. •    Fantasy Suite 2 (Allegro moderato)

  4. •    Fantasy Suite 3 (Adagio non lento)

  5. •   Fantasy Suite 4 (Moderato)

  6. •    Fantasy Suite 5 (Allegrettino)

  7. •   Fantasy Suite 6 (Allegro vivace)


  1. •Slow Dance new March 2014

  2. •Gymnopedies No. 1 (2005)

  3. •Gymnopedies No. 2 (2022)

  4. •Gymnopedies No. 3 (2022)

  5. •Gymnopedies No. 4 (2022)

  6. •Gymnopedies No. 4 ORCH (2022)

  7. •To Peace

  8. •From Purple to Lavender

  9. •To The Point

  10. •After Hearing  Gabrielle

  11. •Invention No. 3

  12. •Maybe There'll Be More To Say

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* This little suite of piano solos was written in the Winter of 1966 when I was 19 years old and just beginning to understand how counterpoint worked. The models are all Baroque in style and the forms are not well-developed, but it was at least a beginning of real comprehension in my self-taught quest to learn about musical composition.

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